Editor's Note: once the wrong body, this one in the North a two in the south, a bit sad but with a touch of joy. Language fluency! Kou Kou, where are you all right? I think there must be good. Because there are mountains and water, then the beautiful scenery, and perhaps many of you pay a lot of intimate friends!
today particularly like you, from the library to the cafeteria on the way,
polo ralph lauren, I found from light green leaves have a plane fly over.
then discovered that the blue spring sky is very blue, above the clouds drifting across the gray transparent, like you had a great smile.
be honest, I have never seen so much of the aircraft,
Christian Louboutin, even aircraft as large as I can see every contour.
have a strange idea suddenly flashed, you will not be on that plane sat?
Sometimes, I think, if you can re-select the time, so I definitely will not throw you a person carrying on the grass brush.
it, now you will not be a person in the distant south, and I am a person in the distant north of the.
remember just separated,
abercrombie paris, you are always on the phone crying to me to accompany.
but I do not have wings, can not cross so far away.
comfort you when I cried.
One night dreaming, you say you have a boyfriend, his face wearing a sweet smile, and I actually jealous.
so hard to let my own wake up, as if they knew it was a dream.
winter of that year,
ralph lauren pas cher, the big snow, so wake up, bright as day out the same.
then cold weather, my forehead was oozing a little bit of sweat, with the hand on the go, a cold.
so quietly laughed their own lot.
you finally called me and asked me if I did not want you.
I said with a smile like, how do not want to?
and you hear my laughter was angry, you say when you think I am always sad to cry, but I was laughing.
I do not know how to answer.
Because, even if I cry, you can see see it?
the interval more than we have the Yellow River, as well as the Yangtze River,
polo ralph lauren discount, as piece of the Pearl River, there is no interval between us, I have not carefully checked on the map.
I still know it is very far away.
but you kept saying, when I would want a person secretly crying, saying that if I then, your eyes do not bear so much trouble.
Yes ah! If I had not thrown away the brush, but with you a little unfinished tree rape, now we are not able to with it?
later I mentioned that dream, that you say you have a boyfriend dream.
you
you use questioned the tone,
Sometimes, friendship is too heavy, and even love can be ignored.
between the count for that we love it? I joked.
you say the two of us can do? You in turn asked me,
Then we all laughed.
first, then the distance, I see your smile.相关的主题文章：
也有自己的男朋友
勺湖公园
my fireworks
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
between the count for that we love it
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