Editor's note: good brother, intelligent caring sister. Heart pendant was for a brother's love token, it is affection between brother and sister cohesion. I believe my brother must find their own true happiness. Bless! I seem to have a feeling, from his pick up the phone I started looking at his face: for god's mouth suddenly Jiangzainali, slowly sinking, sinking, as his heart, crack bleeding flowers.
he slowly Stretch the phone to my eyes, my heart suddenly panic, first ask: Brother, the good news or bad news? high school teacher, parents of her very favorite for honest, looks stuff, my brother, parents are optimistic about the plum.
brother never talked about love, mouth simple-minded, like to see that Jin Yong's Delightful Darling Clementine rivers and lakes, is very simple. childhood learning is not good, was very strict parents played, scolded, the more he becomes dull feeling, while I, naive kid, my brother was innocent victims blasted by others played, but weak I stay in the side of the helpless, once in his ruthless in his class embarrassment. in front of parents who beat him in a small report, had not called him brother, bullied him, like an enemy to be like him not like a sister. is not exaggerated, let me ashamed to say that a child is my brother being beaten most of the victims.
kid brother to see the photos, clear eyes, smart and lovely, perhaps all too cruel, a former rude and acted so that his brother is not flexible to understand, a bar on the left suddenly hit the right he is very good, very helpless. send him to military service after special forces him to learn very quickly. shooting is outstanding. are selected Olympic opening ceremony of the I leave to see his brother, he matured many, still talkative. parents gave him the go-girl, age is a little bigger, but also luck ah.
In fact,
abercrombie, in my opinion, brother by a forced awareness chase her. around people wanted him to do so, he was obedient to do, he did not know whether they obey their own hearts,
polo ralph lauren, at least in my opinion so. brother and me that he did not even see her looks, she always head down, 1 m 85 brother to do? think is funny,
polo ralph lauren discount, send text messages he did not know what to say to her, so when the information is my sister's predilection for him to go.
end I mentally prepared, but also very aware of my brother will hurt deeply, perhaps the beginning of a compliance approach, and later he had also deep into the great interest say hello to people who had been preparing what should be a gift to her. Baidu posts related to more than a thousand pages he read, he was no longer fall to make his computer to download the game to remove all the Valentine's Day is a month when I helped him pick on the pull gift of chocolate, a silver cup ... ...
mobile phone pendant, heart-shaped, blue crystal embellishment,
abercrombie and fitch france, at the moment it is in the hands of my brother. brother, said: ? Brother is fighting back, smiling at us. lovelorn, in fact, everyone felt nothing, they pay, in fact, nothing. However, for my brother, I always kind of a very depressed feeling his age,
chaussure louboutin, and peers can be quite normal to talk about love talk about love, have a strange and large-year-old girls deal with embarrassment, I forget when Brother chat with fellow bright confident smile.
brother is the inner world very rich man, he can hold up their skies, to stop her tears. that heart pendant, I will clip into a locked diary, waiting for the real man can get there, and then your brother to send her right !
heart pendant, we are a people, you have been shining in our heart hanging, no matter when, we love you and protect you!相关的主题文章：
青葱岁月，莫失莫忘
已经不记得开头
I will wither. I know that my stay is actually a drift
Having worked overseas nearly 30 years, Chinese-born painter Jia Lu has made unique contributions in helping Western audiences understand more about the East through her canvases.
She was recently short-listed in the “Ten Most-focused Chinese in the World" by none other than the Global Times. The reason? “Her paintings fuse Chinese and Western elements, showing a modern China with beautiful colors," according to the panel.
“I have a deep sense that my mission to help the rest of the world understand China is not only an artistic goal but a personal responsibility," Lu says, when asked how she felt. “This award reminds me of the importance of that obligation."
Her father, Lu Enyi, was a famous painter who taught her to paint when she was very young. Like many painters of the time, she learned Chinese ink painting first, and was taught by master painter Fan Zeng.
But like many artists who traveled abroad in the 1980s, Lu felt lost in the collision of cultures, and turned to different ways of appreciating art.
When she left China for Canada in 1983, she quickly discovered that, for her new friends, without an understanding of Chinese culture and history, her art was “simply too alien to understand."
“In Chinese painting, we value the traditions passed from one generation to the next; for Westerners, true art is about originality and individual expression," Lu told the Global Times. “Ink painting explores the expressiveness of black ink and the bamboo brush; but to a Westerner, who has never held a brush before and is used to the color and richness of oil painting, my art seemed dull and lifeless."
Although her paintings sold well in the overseas Chinese community, to reach a larger audience, communicating essential concepts of traditional Asian culture to a Western audience was key.
Her solution? Borrow the techniques and expressive power of oil painting, with its illusionistic perspective and realism, and substitute Asian content. The method is known as “Jiechuan Chuhai", or “Crossing the sea in a borrowed boat."
“We have a unique, complex and rich culture. But we share [that] among ourselves, using a difficult written and spoken language, raising a high wall that excludes the rest of the world." Lu says. “By borrowing Western art history to communicate Eastern ideas, I have been able to tear down a small section of that wall."
Having grown up in a Confucian society that emphasized personal sacrifice, selflessness and hard work, Lu discovered her Western friends appreciated these values much more than their wealth and luxury.
Her painting was infused with Buddhism, an Eastern spirituality cherished by many Westerners.
Having first visited Dunhuang in 1980, spending several weeks copying its Buddhist art – some of the rarest early examples of Chinese figurative art – directly from the cave walls, Lu studied figure painting.
But it was not until she worked in Japan in the early 1990s that she began to explore their significance, finding their ideas represented what was most enduring and special about Chinese culture: compassion, mindfulness, a deep respect for learning and wisdom and a belief in the perfectibility of the human state.
Lu began to show her works in China: at the Shanghai International Art Fair, Art Beijing and CIGE expos, and found how “vibrant the Chinese art market had become in the so-many-years I’d been away, and how open it was to new ideas."
“I am both humbled and inspired that my work has been recognized in this way by the Global Times. It is an honor to be included among the other outstanding artists whom I have admired for so long," says Lu.
“But in the end, I think it is not important if I live or work in China or in the West, The important thing is to continue to paint for a global audience, to improve my own art as far as I am able, and to strive to be a better person."
but weak I stay in the side of the helpless
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