Captivated by Trees: Critiques and Expression in Painting « Hue ...

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Looking through trees is a favorite viewpoint for me. It provides depth perception in a simple way. I’m beginning to see that painting this view helps me to feel like I am much more a part of this scene, as an observer closer to what I’m <a href="http://wk.putianb2b.com/"><strong>网络兼è�Œæ‰“å*—员 </strong></a> painting. The expression comes in the brushwork. Brushwork helps the painter put the stamp of their own personality on a piece. Matisse is a favorite of mine. This simple sketch shows his personality with every mark, almost in a calligraphic way. The staccato effect of the marks <a href="http://wk.putianb2b.com/"><strong>å¨�客网 </strong></a> produce rhythm. We catch an inviting perspective within its fresh simplicity. This painting is nearly finished. I’m trying to vary my brushwork <a href="http://wk.putianb2b.com/"><strong>网赚项目 </strong></a> for greater interest. Acrylics dry quickly, so useful for my layering process! Monet’s trees are soft and dreamy in this image. His brushwork seems deceivingly simply, but my own experience with painting the impressionist technique of individual daubs has shown me otherwise! Lovely, isn’t it? This entry was posted on October 22, 2011 at 8:44 pm and is filed under Uncategorized. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a <a href="http://inbookmark.com/mybookmark.php"><strong>å¨�客网 </strong></a> response. Pinging is currently not allowed.