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141564 2007 年 06 月 23 日 15:19 Reading (loading. ..) Comments (1) Category: Personal Diary
When I saw The Matrix at a local theatre in Slovenia, I had the unique opportunity of sitting close to the ideal spectator of the film - namely, to an idiot. A man in the late 20ies at my right was so immersed in the film that he all the time disturbed other spectators with loud exclamations, like conceptual distinctions. (1)
It is nonetheless easy to understand this intellectual attraction of The Matrix: is it not that The Matrix is one of the films which function as a kind of Rorschach test, setting in motion the universalized process of recognition, like the proverbial painting of God which seems always to stare directly at you, from wherever you look at it - practically every orientation seems to recognize itself in it? My Lacanian friends are telling me that the authors must have read Lacan; the Frankfurt School partisans see in the Matrix the extrapolated embodiment of Kulturindustrie, the alienated-reified social Substance (of the Capital) directly taking over, colonizing our inner life itself, using us as the source of energy; New Agers see in the source of speculations on how our world is just a mirage generated by a global Mind embodied inthe World Wide Web. This series goes back to Plato tied firmly to their seats and compelled to watch the shadowy performance of (what they falsely consider to be) reality? The important difference,
Shilianwansui 20 reasons - Qzone log, of course, is that when some individuals escape their cave predicament and step out to the surface of the Earth, what they find there is no longer the bright surface illuminated by the rays of the Sun, the supreme Good, but the desolate the metaphor of the Capital that colonized culture and subjectivity, or is it the reification of the symbolic order as such? However, what if this very alternative is false? What if the virtual character of the symbolic order of historicity?
Reaching the End Of the World
Of course,
coach outlet online, the idea of the hero living in a totally manipulated and controlled artificial universe is hardly original: The Matrix just radicalizes it by bringing in virtual reality. The point here is the radical ambiguity of the VR with regard to the problematic of iconoclasm. On the one hand, VR marks the radical reduction of the wealth of our sensory experience to - not even letters, but - the minimal digital series of 0 and 1, of passing and non-passing of the electrical signal. On the other hand, this very digital machine generates the of undermining the very notion of small idyllic Californian city, a consummerist paradise, who suddenly starts to suspect that the world he lives in is a ########, a spectatle staged to convince him that he lives in a real world, while all people around him are effectively actors and extras in a gigantic show? The most recent example of this is Peter Weir is constructed on aa gigantic studio set, with cameras following him permanently. Sloterdijk liberating experience of breaking out from the ideological suture of the enclosed universe into its outside,
coach sneakers, invisible from the ideological inside. However, what if it is precisely this world watching the last minutes of the show),
coach purses, with the hero breaking out and, as we are led to believe,
A perfect insurance policy (very useful Oh) - Qzon, soon to join his true love (so that we have again the formula of the production of the couple!), that is ideology at its purest? What if ideology resides in the very belief that, outside the closure of the finite universe, there is some it is worth mentioning Phillip Dick ... The underlying experience of Time Out of Joint and of The Truman Show is that the late capitalist consummerist Californian paradise is, in its very hyper-reality, in a way irreal, substanceless, deprived of the material inertia. So it is not only that Hollywood stages a semblance of real life deprived of the weight and inertia of materiality - in the late capitalist consummerist society,
coach sunglasses outlet, stage actors and extras ... The ultimte truth of the capitalist utilitarian de-spiritualized universe is the de-materialization of the-fiction, one should mention also Brian Aldiss finally, some children penetrate the bushes and reach the world beyond, populated by other tribes. Among the older,
Absolute classic origami diagrams of various metho, more Garner ) who knows all the plans for the D Day invasion of Normandy and is accidentally taken prisoner by Gernans just days before the invasion. Since he is taken prisoner unconscious,
coach sunglasses, in a blast of explosion, the Germans quickly construct for him a replica of small American military hospital resort, trying to convince him that he now lives in 1950, that America won the war and that he has lost memory for the last 6 years - the idea being that he would tell all about the invasion plans for the Germans to prepare themselves ; of course, cracks soon appear in this carefully constructed edifice ... (Did not Lenin himself, in the last 2 years of his life, lived in an almost similar controlled environment, in which, as we now know, Stalin had printed hor him a specially prepared one copy of Pravda, censored of all news that would tell Lenin about the political struggles going on, with the justification that Comrade Lenin should take a rest and not be excited by unnecessary provocations.)
; What lurks in the background is, of course, the pre-modern notion of stars on it, pierce it and reach beyond - it is exactly this that happens at the end of The Truman Show. No wonder that the last scene of the film, when Truman steps up the stairs attached to the wall on which the the obviously of the Raymond Chandler with the vast open valley that stretches out in front of the Mount Rashmore heads when, on the run from their pursuers, Eva-Marie Saint and Cary Grant reach the peak of the monument,
coach bags, and into which Eva-Marie Saint almost falls, before being pulled up by Cary Grant; and one is tempted to add to this series the famous battle scene at a bridge on the Vietnamese / Cambodgian frontier in Apocalypse Now, where the space beyond the bridge is experienced as the And how not to recall that the idea that our Earth is not the planet floating in the infinite space, but a circular opening, hole, within the endless compact mass of eternal ice, with the sun in its center, was one of the favorite Nazi pseudo-scientific fantasies (according to some reports, they even considered putting some telescopes on the Sylt islands in order to observe America)?